Wednesday, 8 January 2014

300: PART WAR STORY, PART FASHION HAVEN

Now I've always thought inspiration was everywhere but when my boyfriend convinced me to watch '300' with him, the last thing I expected was to be swooning over beautifully draped dresses and even more shockingly, the get-up of the main baddie Xerxes. 



Of course I was immediately entranced by the mass six-pack clad army of men parading around the screen and I can't deny that I greatly appreciated their rather skimpy gladiator gear - who knew a cape could be so sexy? However, what really excited me was the wardrobe of Queen Gorgo. Her strength of character, defiance in the face of political instability and her unyielding dedication to her husband is cast in stark contrast to the wispy, delicate dresses that loosely adorn her body, creating an interesting dynamic. Queen Gorgo is staunchly and impeccably put together both in character and in wardrobe. Her body is to be appreciated and looked upon but the apparent fragility conveyed through her clothing, or at times, lack there-of, is not to be taken as weakness as Theron violently discovers. The swathes of fabric that surround her body create an angelic quality that only acts to mask her power.    


I struggled to find many pictures depicting her dresses but it is well worth watching the film to see what I'm making such a fuss about! 

Now I'm not saying that I'll be emulating this look exactly. I don't think a bed sheet would really combat against these gale force winds too well! But I love the play between ferocity and coyness, sexiness and practicality, fabric and flesh, warrior and woman. I'd love to see how I could adapt this into my everyday dressing, plus you can't deny how beautiful the dresses are, the drapery hugs her body in the most flattering of ways, something every woman longs to achieve from their clothing. 


However, for me someone else stole the fashion spot-light - the tyrannical 'god' King Xerxes. The introductory scene of Xerxes displays him being carried on a gigantic golden platform by his army of slaves. The camera pans up revealing Xerxes to be entirely adorned in golden chains and rings. Move over Anna Dello-Russo, I have a new fashion crush!


As I have admitted in previous posts, I am a complete magpie, anything sequinned or bejewelled immediately ticks my fashion box and Xerxes is an embodiment of gold and glitter. I thought that I'd seen every way and every place jewellery could be worn: ear chains, ear chains that link to eyebrows, ear piercings, lip piercings, body harnesses, anklets, bracelets, bicep chains, toe rings, hand rings, the list goes on. What captured my attention is the way in which the wardrobe team captured the essence of otherworldliness, wealth, power, pain and in my opinion total bad ass-ness just through the use of golden chain links. 




We've all seen the Guinness World Record book with the pictures of 'most pierced man/woman' but the construction of Xerxes image is mixed with something undeniably fashionable. He is completely chained up, every inch of his body is covered with some form of golden jangly thing and this really speaks to me. Aren't we all constrained by some form of materialism? His image is a powerful one to me, he is both awe inspiring in his towering form yet totally limited. His human flesh and thus fragility remains and cannot be hidden behind or beneath his jewels and what they represent, mainly his attempt to gain complete power.  

I imagine reinterpreting my vision of him through metallic outfits off-set with armfuls and armfuls of various sized chains - I'll skip on the cheek piercings though!  

I hope the second part of the film offers up just as much fashion deliciousness as this one has. Watch this space for my future musings on ancient Greek dressing, I knew my Ancient History A-Level would come in handy one day… 

(None of the photos are my own unless stated) 

Tuesday, 7 January 2014

SCAT CAT!

I know I am not alone in writing about this subject but I couldn't resist sharing my perspective on the runt of the shoe litter. You know what I mean, the 'kitten heel'. 




Most people find them aesthetically unappealing. Which is fine. Fashion is after all based on physical appeal. However, my dislike of the kitten heel goes much deeper than any regular phobia. 


I was fourteen years old. I had been invited to a friend's fancy dress party. I had bought a white pair of kitten heels to match my costume (my gran's vintage 60's midriff bearing dress - the coolest thing I've probably ever worn). I decided that these shoes offered a slight lift without being cumbersome and I still felt that I was dressing my age - plus I now had a pair of shoes I could wear to stop my trousers dragging on the floor, great to get my mother off my back.

I wore said shoes to another friend's birthday meal and decided to race to the ice-cream machine - again, testament to my age - and I fell. Absolute mortification set in and I never wore bloody kitten heels EVER again. I am scarred. Unfortunately I never linked ice-cream with the trauma of this whole situation so alas I missed out on a terrific diet opportunity there… But my hatred of the kitten heel has remained stedfast. 


I won't lie, I did glance at the valentino studded kitten heels that adorned the hooves of every fashion pro around the world, but side on, I was quickly brought back to reality - plus the price tag! 




I've thought long and hard about this weirdly intermediate heel and it's inbetweeness unnerves me. You're not getting the height or the elongating powers that a 'real' heel gives you and you're not quite getting the manoeuvrability of a flat. It makes no sense! I can honestly say, the only way I'd possibly find myself slipping on a pair of these 'shoes', is if my trousers were awkwardly that little bit too long and there was a mass ban on all sewing machines, needle and thread, magic web, glue, cellotape and any other sticky substances. 



But don't pity the kitten heel shaped hole in my otherwise considerable shoe collection. What I lack in kitten heelness, I make up for in all other forms of shoe. In fact in recent months all I seem to be purchasing is shoes - much to my father's dismay. My philosophy(ies) on shoes are: firstly, you can never have too many; secondly, good shoes can make an outfit (concurrently bad shoes can destroy one) and thirdly even if the shoes don't fit they can never ruin your day like not being able to fit into your favourite jeans can. 



Heres a quick snap of my new best friends (No, I don't have names for them. Yet…)  


(Photo by me)
Clockwise from top left- 
(Everyday black ankle boots: Debenhams (a total necessity)
Black stilts/pumps: Topshop (totally unnecessary)
Pointed black wedges: River Island (my attempt at sophistication)
Leopard print pumps: Dune (anything leopard print = happiness)
Geometric rafia wedges: Carvela via TKmaxx (total bargain!)
Burgundy fringed boots: Emma Cook for Topshop via Ebay (LOVE)
Platform trainers: Superga via TKmaxx (90s throwback awesomeness)


I do not take credit for any photos used on this blog unless stated.

Saturday, 16 November 2013

FLASHDANCE FLASH BACK

I recently just re-fell in love with 'Flashdance'.




I'm not a huge fan of the 80's; or maybe I am, but I'm very selective over which aspects I consider to be fashion moments. 

The film's story is one that I feel I can increasingly relate to: Girl has dream. Girl has to overcome struggles to reach dream. Girl debates giving up. Girl has epiphany. Girl accomplishes dream, all whilst looking fashionably fabulous. (I am yet to have expected epiphany or therefore reach my dream but any day now I'm sure...)

So anyway, synopsis over. Now to the good bit; the fashion. 

The scene, you know the one. Alex is on stage, ready to perform but it's all about the silhouette. That suit. Those sharp shoulders. That masculine shell that she peels off to reveal the skimpiest red playsuit. And then the water. Mind is blown. The end *almost*.

There's also the trip to the laundrette. Perfect in oversized grey jumper and stripey scarf just slung casually around her neck, with Jeanie in her high heels and frilly socks. Uh! I can't explain my delight and it doesn't end there. Cue the list. The scene where Alex and Jeanie are simply walking down the road, parker coat and russian hat in tow, with her Nike daps on, accompanied with red socks and navy leggings. I tell you, you could use the film's outfits as a step by step guide on how to dress chic for those winter months. I've previously posted on the trials of dressing both fashionably and weather appropriately but Alex - or should I say the costume department - have absolutely nailed it. Pink heeled pumps and yet another oversized overcoat to walk down railway tracks. Why not? (The obvious answer here is that such a thing would be incredibly dangerous, but for the purpose of the film - and my need to romanticise fashion - it acts as the perfect catwalk.) 


And the inspiration really just keeps on coming. Tina's performance costume of black cut-out crop top and matching high cut briefs has got me all excited for Christmas time dressing. I'm not saying I'll be stepping out sans trousers but the glitter, her grit, her attitude. Who says you can't be tough at Christmas anyway? I'm bored of the same old red and gold thing that magazines try to sell to us as the way to dress for Christmas-time celebrations. Bring on a bit of sexy peekaboo, black crop topped, gold chained, masculine yet sexy yule-tide fashion fun! 




Party dressing aside though, I think above all what I really love is how 'Flashdance' plays with the performative qualities of fashion. They aren't just props, they are an intrinsic part of the performance. A key element. Stripping off the layers to reveal yet more clothes, every layer getting thinner and thinner, daring the audience to watch the change in her movements as her body becomes evermore visible. 

Clothing is a part of play, and what better way to illustrate this than Alex going to the fancy dress party as a clown. Her beauty eclipsed by the borderline ridiculousness of her over the top costume. It is all about the clothing. Or when Nick and Alex go on their lavish date. Fashion in this instance becomes a tool of social subversion, an instrument of blurring gender lines. The norms are inverted as Alex sports a masculine power tux only to whip off her jacket to reveal the smallest, backless and sideless under shirt. The sexiness of this unexpected under layer is almost palpable, as she sarcastically remarks to his ex-wife: "yes I really do work as a welder". Her delicacy, coupled with the tux that almost overwhelms her tiny frame, creates an interesting dichotomy that is only saved by her 'fuck you' attitude. After all, fashion can't work alone. You, the wearer, have to make it come alive. 



As you can tell I'm having a major 'Flashdance' moment. Is getting a perm a step too far in my goal to be - I mean channel - Alex? I might just wear leg warmers to bed. Or maybe not. The oversized grey jumper/leather skirt combo is a must though. 

I feel like we can all relate to Alex. Haven't we all had those moments when we're on our arse, when it all appears bleak and hopeless. But then I think we need to remember the words of Jeanie; "I gotta tough ass". I mean aren't we all just girls trying to pirouette through life without spilling our soda? *

(*You may have to rewatch the film to get this reference but it's totally worth it.) 

Saturday, 9 November 2013

MAKEUP: MAKING UP WITH YOURSELF


Do you honestly think I care what I look like?

In short, Yes.


I’ll give you the scenario. I was in work, when a lady tried on a hat. She turned to her partner to get his opinion. He responded with a very safe, I mean sweet: “you look beautiful”. To which she replied, “Do you think I care what I look like?” Ironically she then turned to look at herself in the mirror and redid her hair.

You could argue that I’m looking too far into this. I, however, would disagree.

Firstly, this lady not only felt that she needed reassurance but also approval and despite getting this, her default response was self-mockery and a very defensive and utterly transparent ‘I-reeeally-don’t-care-honest-I-don’t’ retort.

Secondly, I feel that this one lady is not alone. I see her as the ‘Everywoman’.

But before I attempt to pick apart the aesthetic worries of all womankind I think I should start by introducing myself. Hello, my name is Sophia and I cannot leave the house without makeup on. I’d like to say that just through this confession that a huge weight has been lifted, but I’d be lying.

For me I cannot think of many things worse than having to leave the house sans makeup - obviously in reality there are many, many things worse, like snagging your tights or your stripey Bretton top running in the wash... (I kid, I kid) I understand the superficiality of this but nevertheless I figured it was worth investigating my neurosis.


So lets start from the beginning, what does make-up mean? In its basic form when applying cosmetics you are ‘making yourself up’. It’s a grown up form of playing pretend, a way of temporarily transforming yourself, or your face at least. I’d like to draw upon one of my favourite trios of all time (cue eye rolls); the Kardashians. Yep, despite the controversy surrounding them and their family life, and the criticism over their status as bonafide A-listers, you can’t deny their flawless make-up.

Much has been made of - and many have attempted to emulate- the unique way in which Kim in particular has her make-up applied. One word: contouring. This handy trick sculpts the face, adds definition, plus highlights and slims both cheeks and, if necessary, can minimize larger features. It’s liquid magic; trickery right from a little bottle – actually quite a few bottles, all in different colours, multiple brushes, not to mention an expert hand... – but I digress. My point is that in this day and age, anything is possible; with make up at least. You don’t like the shape of your eyebrows? Draw them on, fill them in, change their colour if you fancy. Thin lips? Lip plumper and a well-matched lip liner should do the trick. I’m no beauty expert but generally the twenty-first-century girl knows plenty of ways and means to alter her appearance. This, I would argue, is due in large part to the mass pressure of social expectation.


We aren’t all blessed with a face like Kim Kardashian- or the finances to keep up such an image – but why should we feel like we have to apologise for this? In doing ourselves up, what is it that we’re ‘making up’ for exactly?

When I put on my daily dose of foundation I’m not just trying to even out my skin colour. Oh no, that would be far too simple. I’m covering up my skin, trying desperately to get it to blur in with the tide line of fake tan that reaches just under my chin. I’m pale. I live with it but I don’t like it. Countless times I’ve been asked by worried onlookers “are you ill?” or “do you feel okay?” and whilst I’m sure this curiousity comes from a deep place of compassion, I can’t help but want to run into a very hard wall. ‘NO I’m not ill thank you very much, I’m just testing out au naturel, which is something I will NEVER do again.’ A quick rummage/dive into my makeup bag, to desperately rectify my ‘problem’, and in no time at all I’m a lovely shade of Maybelline ‘sand beige’. Yes, it says it all. By reattaching my cosmetic safety mask, my flaws are well and truly hidden or at least blurred. Afraid of standing out from the crowd, I crave to be ‘sand beige’. Have you ever heard someone being described as ‘beige’ in a positive way. “Oh yeah, Frida is so much fun, she’s totally beige”. Somehow I don’t think it’s going to catch on, you might as well just call me vanilla.


A friend of mine in work suggested we go bare for comic relief. I’d seen the adverts but I still desperately clung to the idea that she meant lets all come in naked. Alas I was wrong. Luckily this idea was forgotten. Not only was I relieved but I think all the big shots at ‘Very-Popular-Department-Store-That-I-Work-In’ should heave a group sigh of relief too. I guarantee they’d have seen a stark decline in sales if I’d been let on to the shop floor in that state.


As I’m writing this it’s hard not to notice that I too am re-enacting what the lady that started off this post did. In my very long-winded and slightly repackaged version I too am self-deprecatingly mocking myself in a bid to hide my insecurities. A dear friend once told me I looked like ‘Thomas the Tank’ – pale face and dark neck. Of course I laughed my hurt off but on reflection he wasn’t mocking my 'problem' pale skin, he was mocking the contrast of my dark neck against my pale skin. A dark neck that wasn’t really my own. In trying to hide my flaws I in effect highlighted them and whilst doing so managed to look like some ridiculous, and not to mention, weird zebra/girl hybrid.

We live in a society crazed by appearance and in this narrow ideal we are all supposed to fit. Can this ever be possible? 

NO!

But regardless of this we all still try. This obsession with ‘perfection’ is an empty quest. Very few people will ever be one hundred percent comfortable with themselves but it seems to me that we never even try. It’s far easier to cover, hide, alter, mask, or even surgically remove our ‘flaws’ but what about trying to love, or at the very least accept them.

I see makeup in one of two ways;
1) A means to an end... of individuality. How many orange faced, spider-eyed, pastel lipped girls do you see walking around everyday. Yes, I think my point is made.


2) A means of making you look better, more attractive and the thing we all crave the most; normal. I hope you're sensing the sarcasm here. I'd love to meet the person who set the standard of normality or who defined the narrow ideals of what is deemed attractive. 

The bare faced truth (groan) of the matter is however, that there is no unequivocal definition of beauty and unfortunately there isn't one person who created the rigorous set of rules that we all clamber to abide by. I'm sure that if there was, they'd have been captured and tortured long ago, but alas it is a lot harder to change the minds of the masses. It is 'us', the all encompassing 'we' that have put these pressures on ourselves. 

During a particularly raucous seminar, one girl decided to slate not only makeup but the women who wear it. She declared that it was unfeminist because women only wear it to attract men. Now steady on, I can't argue that she was wholly wrong in that some people do wear makeup to attract the opposite sex, but to label it unfeminist is a bit much. Makeup is a form that allows women to take ownership of their bodies. It is a means of self-expression, something feminism triumphs. I do however wish that the narrow field of what is thought of as beautiful, who is beautiful and what measures one is expected to take to reach this level of beauty were expanded. 

Makeup is something that should be enjoyed but we should love ourselves just as much with it off as we do with it on. It should be remembered that beauty doesn't  have to only be skin deep. On this very rare occasion I’m going to quote Tyra Banks, who suggested in this months copy of Nylon magazine, that we should celebrate not shun our “flawsome characteristics”. Now I’m not usually the type of gal who supports such catch phrases as those that have typified Tyra’s career (I mean 'smize', smiling with your eyes? Really?!) but her motivational outlook in this instance really caught my attention. The only thing flawed here is our perception.


I can't promise that I'll be walking around makeup-free but I will stop texting my boyfriend to 'warn' him before he comes over. This is very much a work in progress but it's something I think all women should undertake with me. Grab a makeup wipe, scrub that face and walk out that door with me... or maybe just open the door to the postman without cowering into the folds of your dressing gown. Baby steps.

Thursday, 24 October 2013

INSPO 2.0

I've hit a wall. 

I think it's the same wall I hit about this time every year. The mornings are getting darker. The evenings are getting darker that much earlier. The bus journey to work seems longer. Nothing I wear seems befitting of the weather conditions...

But before I bore you too much with my moaning, I think I should go straight ahead and combat these oncoming winter blues before they swallow me, my trailing scarf, sniffly nose and woolly socks up with it. 

To help warm up my little fashion heart I thought I'd do a quick post of all the things inspiring and therefore keeping me sane at the moment.



Nothing delights me more than partners in fashion. Love how all these couples compliment each other yet remain distinctly individual.

All black outfits: chic not goth. Layers. Layers. Layers. And Abbey Lee Kershaw.  





Points and parties. Christmas is coming and points are the perfect shoe to welcome in the festivities. 

                                           
 Crazy accessories to liven up winter layers.



Fancy coats - outerwear needn't be boring. An understated but well fitting pair of jeans is always fashionable. And messy hair - I'm loving a peekaboo fringe at the moment. 



Loving all things green, emerald jewellery is a big favourite with me right now, and long skirts, perfect for comfort and hiding a million layers underneath. 


And when all else fails, some vintage Kate Moss can't help but make you smile.

Happy Thursday! 





(None of the above photos are my own and I do not take credit for them) 







Sunday, 13 October 2013

WHO DO VOODOO?

I was unsure whether or not to call this post 'Retail Voodoo' or 'Fashion Voodoo'. In the end I went with neither but perhaps I should explain what voodoo has to do with fashion before I launch any further into my tirade.

My first encounter with fashion and voodoo was in the James Bond film 'Live and Let Die', where in the faraway land of Kananga, James has to fight against the wicked voodoo ruler and save a few helpless females along the way. Despite only being about six years old when I first watched this film, a lot of the story and its context went unnoticed by me, instead I focused on the magic and the costume (I mean what else as a six year old could I take from it? How my mother sat through two and a half hours of my incessant questioning I'll never know...) Voodoo, at that time, was purely magic, scary magic mind you but nonetheless coupled with the pretty girl's clothing (I now realise she was the sacrifice, which gives a slightly morbid tinge to my childhood memories) it was magic. 



As I grew up my belief in magic became evermore fictional, however I remained utterly enchanted by the powers of fashion. And that is almost the end of my story, but just before the theme tune kicks in, the end credits start to roll and the well worn phrase, 'and they lived happily ever after' floats on to the screen, I must tell you something: 

Voodoo in fashion is very real.

No, I have not cracked up. Please read on. My incredibly vague understanding of voodoo goes like this; the loss of autonomy by one due to the power gained by another (I'm keeping this definition very PG, choosing to gloss over any links with devilry). The fashion world works in much the same way. There are a few conjurors out there (aka the designers) who create the trends, which are passed on to the witch doctors (the fashion big-shots) who through the spell of printed media, the allure of advertising and by prying on our inherent greed for the next best thing, leaves us mere mortals powerless to resist.



But it doesn't stop there. 

When the clothing has been cast into the melting pot and been filtered down on to the high-street,  more witchery is cast. You may think that you've just picked up and created a completely individual ensemble but I'm afraid you'd be wrong. 

Every item of clothing, from where it is positioned in store, to what it is placed next to, above, below, diagonal to, opposite, the colour scheme, the ease at which one item can be accessorised with another... It has all been meticulously planned and actioned, probably without you even knowing. Now tell me there isn't some kind of mind control there! I'll explain further using the store I work at as an example.

Generally men don't like shopping, but what they do like to do is eat or at least get a coffee to escape their partners need to shop. With this in mind, hey presto! the menswear department is right next to the restaurant. If he should therefore wish, the gentleman can browse at his convenience (or so he is led to believe). 

Heres another example. The toilets are housed at the furthest point of the store on the second floor, meaning you have no choice but to take in all that the store has to offer. And I've already mentioned the psychology behind the layout of all the clothing that acts to guide customers to purchase ready made outfit ensembles. 



Now before you think the only way out of this trance is to walk around with your eyes closed, intentionally clash clothes from opposite sides of the store (hey it could work) or chaotically grab at random (that level of defiance will show 'em ey). Stop. Breath and enter a pact with me now. 

Repeat after me: I solemnly vow to remain acutely aware of the fashion voodoo at work here, and with that in mind I will see fashion magazines, trend reports and store layouts as helpful but not essential to my life as a fashionably aware individual. I therefore swear to purchase items that I love, regardless of trends or what stores would lead me to believe. 

Now welcome to the world of fashion freedom.

Everyone needs a little help now and again, but just make sure to not let it squash your individuality. Invert the voodoo and make the trends work for you.

Power to you people.